December 31, 2010

Lunch at a Biodynamic Farm

This week I had the pleasure of a delicious lunch at my friend Sue's biodynamic farm - Turtle Barn Farm. 



Sue still has winter lettuce to pick.

We were each given a bowl to go out and pick our own lunch! What fun!

The leaves were so tender and beautiful!

Roasted chestnuts on my salad?  Oh how yummy!

Sue showed me her biodynamic composting !


Thank you Sue for a great lunch and wonderful conversation!

December 28, 2010

Make a Madonna Shrine

This is a sweet project for families over the holidays.  A few years ago I had my mother, father and children all making one.  They all still have their work displayed in their homes!!  I also chose this as a project at the museum with kindergarten age children.


 What you will need: a shell (about $2 at Michael's), Mod Podge, Tacky glue, assorted beads, gems and glitter, color copies of Madonna images and little brushes for applying glue and dusting off glitter.


Cut out the Madonna image you have chosen.  Apply Mod Podge to the back of the image and place on the shell.  Apply Mod Podge to front of image and smooth paper to shell.


 Embellish as you wish.  I applied a starry halo with star gems.


Apply a thin coat of glue and sprinkle little seed beads to create texture.



I lined my seed beads with light blue stars.


I embellished the ridge of the shell with little pearls.


I sprinkled the finest glitter to her cloak and in the curve of the shell.
 I will now let it dry!  Done!


This is my daughter's shell.  


December 26, 2010

My Twelve Holy Nights Notebook and Additional Resources

Over the last 10 years, I have developed my own creative process to the Twelve Holy Nights practice.  As a multimedia artist, the process is one of bringing my inner life to paper.   At the end of the twelve days I have a resource to look at and be inspired by all year long. 

I keep my notebook small so I can carry it in my purse.  I purchased it in the bargain section of Barnes and Nobles for $4.95.  Since I will be traveling this week, I am packing my mini-watercolors and mini colored pencils to take with me.

 

I keep a stack of magazines for collage work. 


 Gathering images and words for the notebook:  The best method I have found is to quickly flip through a few magazines and pick words and images that speak to me.  I do not think about it.  It is like brainstorming.  I will put these in a ziplock bag to use throughout the twelve nights. 

I use a metallic marker to label the notebook.


In a quiet space, I will write, collage, paint, draw the goals, visions, and images for that month. This is a very personal process and looks different for each individual. Prayer and meditation help set the space for the notebook work.  Be sure and check the links below for more suggestions.

Working on a page.


ADDITIONAL RESOURCES:  I received several great blog links to share:

    December 25, 2010

    The Twelve Holy Nights


    The 12 holy nights begin December 26 and goes until The Three Kings day on January 6.  In my Waldorf teacher training, one of my mentors told me how this is the most powerful time to create the following year.  Each of the holy nights represents a month in the coming year (sequentially).  During each of the holy days you focus on the goals and visions you hold for that month.   For example, if I were planning a trip to Europe in March, I would use the 3rd holy night for that goal.  

    Additionally, my mentor said that it was important to do this work before sleep.  Then, to watch  for any special or unusual dreams.   She suggested that I record any impressions, feelings, or intuitions when I awake.  

    Here are some things I have done for each holy night and its corresponding month:
    • I buy a “12 Holy Nights” notebook where I capture the twelve days of inner work.  I label each holy night and it’s month as I get to it as some months have more inspiration than others!
    • I will choose a word or phrase for each month that captures the mood I feel around the vision.   For example, one month last year I picked the phrase, “Graciousness” and focused on bringing that quality into my life.
    • I will paste images and words in my notebook that draw me for that holy night and its month.  I even pull out my color pencils and crayons and let creativity flow.  Some of the months will hold a palette of color.  Last year I created the vision of traveling to the ocean in July.   In my notebook I made a watercolor of the beach.
    • My mentor suggested that the events and mood of the day could foretell the corresponding month's events.  For example, if on the 4th holy night, there was a lot of conflict and struggle in my day - it would indicate the possibility of struggle in April.  I jot the overview of my day and go back later in the year to see if it foretold anything.
      • Sometimes I will create a collage on the twelfth holy night to summarize my vision for the new year.  

      I love the structure of having 12 days to dedicate to creating the coming year.   It is a deeply inspiring process.  Think I will go get all my supplies for the process ready. . . .

      December 22, 2010

      Why Educate?

      To be capable of wonder is to be fully human.
        - Carlina Rinaldi

      Photo taken by my dad - Arlen Fowler in Utah.

      Today I drove from Tulsa to Dallas and had a good five hours to think.  Lately, my thoughts swirl around our educational system and such things as the movies "Waiting for Superman" and "Racing to Nowhere" that point to the troubles we face.  And as I thought about it, I kept coming back to the question, "Why do we educate our children?"  Really.  What is our aim? 

      I looked in the dictionary to find the root of educate.  According to Webster's "to educate" means "out to lead."  Makes sense!  When I educate, I am leading the student.  Where am I leading them?   Where are you leading your students?

      I remembered my own education, specifically, high school.  I would cram for tests, memorizing the content, take the test, pass, and quickly forget the material.  It was all short term memory.  Clearly, teaching is more than the content of the curriculum.  Webster's defined teaching as "to show how to do something."  As an educator, I am committed to delivering more than the memory work.  Teaching a child to read does not mean you have taught a child to think, to wonder, or to be amazed by learning new things.

      I have a sticky note posted in the front of my lesson plan book that says, "A good education gives you goosebumps."  It reminds me to not forget to add a little wonder and curiosity in the plan.  In my world, assessing, dibeling, and benchmarking kindergarteners is not producing goosebumps.  

      In her book, Bringing Learning to Life, Louise Boyd Caldwell, says this about the schools in Reggio Emilia and people's responses when they visited - "most adults feel awestruck, speechless, often moved to tears. . . (they) immediately sense the extraordinary meaning and beauty of everyday life in a school for the youngest citizens."  

      Where am I leading my students?  Maybe to be awestruck and speechless by the extraordinary beauty of everyday life.   Not a bad place to start.

      December 21, 2010

      Easy Peasy Santa

      Children love to have little people in their play to retell the stories of the season.  What fun to have Santa!

      It is quite easy to make simple little folks based on seasonal impulses with wooden bases, wool roving, and wool felt.  I do not use patterns to make my wooden base dolls.  Here I explain my easy method.  You can adapt this for any character you like!


      What you will need:  wooden bases, red felt, white roving, tacky glue.



      Step One: Measure felt around the head to determine the width.
        Cut out a rectangle.


      Step Two:  Trim into cap shape (triangle).
        Set aside.


       Step Three:  Dot glue over top of head.


      Step Four:  Gently put a piece of roving on head.  Make sure roving is not too long.  Roll a tiny piece of roving to make mustache.  Apply with glue.


      Step Five:  Next, put on cap while glue of hair is still nice and tacky.  Add a strip of glue along inside back seam of cap to seal.

      Step Six: Measure width needed for cape and how long it will need to be.  Cut and glue to wooden base.


      Step Seven: Twist a thin piece of roving.

       Step Eight:  Apply a strip of glue to cap at edge.  Apply roving by gently tapping it into the glue.
      Add wisp of roving for beard.  Adhere with glue.



      Step Nine:  Repeat for the bottom of the cape. Tuck the ends of the roving on the other side of the cape with a dot of glue.

      Optional:  Put a generous dot of glue on side of head and press cap down.  Roll a bit of roving into a ball and glue to tip of cap.

      December 16, 2010

      On the Road Again!

      Just wanted to let you know that I am driving to Chicago tomorrow and will be on a whirlwind adventure until Tuesday.  It hit me tonight that I may not have a chance to post until next week.  It all depends on my time and internet access!

      I will be back as quickly as I can.  Thank you for making blogging so fulfilling!

      With Warmth,
      Sally

      December 14, 2010

      The Stages of Hand Grip for Writing

      As a teacher and educator, I am very concerned about the push down of handwriting.  It is scary to see the wide spread practice of teaching three and four year olds to write before they are physically ready.  I wanted to share a few developmental pieces I have regarding the development of the hand grip. 

      As you look at the physical developmental picture of a child's capacity to hold a writing instrument, think of the practices in your classroom or with your child.   While we all know every child's readiness is individually based - for most four year olds,  the fine localized movements required to write effectively have not developed.  Looking at Stage Four, we see that many children will not develop this until age 6.  In countries like Finland, Switzerland and Sweden, children are not formally taught to write until seven years old.  This allows for the vast differences in readiness.

      Additionally, I think it is vital we remember the child in a holistic picture.  Not only is there the development of the hand grasp - there is the development of visual motor perception,  cognitive capacity and the ability to attend to the task.


      STAGES OF PRE-WRITING SKILL DEVELOPMENT 
      (Physical Domain)

      Fine and Gross Motor Skills, Body Awareness, Physical Health

      Stage One     Palmar-Supinate Grasp  (1 to 1.5 year olds)
                            Held with fisted hand
                            Wrist slightly flexed
                            Wrist slightly supinated away from mid-position
                            Arm moves as a unit

      Stage Two    Digital-Pronate Grasp (2 to 3 year olds)
                           Held with fingers
                           Wrist straight
                           Wrist pronated
                           Wrist slightly ulnar deviated
                           Forearm moves as a unit

      Stage Three   Static Triposture  (3.5 to 4 year olds)
                           Held with crude approximation of thumb, index, and middle 
                           fingers
                           Continual adjustments by other hand
                           Ring and little fingers only slightly flexed
                           Grasped proximally
                           No fine localized movements of digit components, hand moves as
                           a unit

      Stage Four   Dynamic Tripod Posture (4.5 to 6 year olds)
                           Held with precise opposition of distal phalanges of thumb, index 
                           and middle fingers
                           Ring and little fingers flexed to form stable arch
                           Wrist slightly extended
                           Grasped distally
                           MCP joints stablized during fine, localized movements of PIP 
                           joints (test by drawing tiny circles)

      More photos of what these grips look like.

      Comprehensive Book on Grasp Development

      Tripod Grasp (efficient)
       Quadropod Grasp (efficient)

      Palmer-Supinate Grasp (inefficient)
       Digital-Pronate Grasp (inefficient)
      Photos from www.elmbrookschools.org

      Interestingly, many researchers have found that the dynamic tripod grasp is not the only functional pencil grip.  In fact, a grip called the lateral/dynamic quadrupod and four finger pencil grasp were nearly equal to the dynamic tripod grasp for functional writing.  There are efficient and inefficient grasps.

      I have seen in many kindergarten classrooms, the practice of using adaptive pencil grips for a large number of the students.  Hello!  Is this not a huge wake up call?!   Adaptive pencil grips are not the answer.  These devices can help a student achieve a tripod pencil grasp but that does not mean the quality or timeliness of the student’s handwriting will improve.

      What we know is that handwriting readiness involves not only the hand grasp but such things as visuomotor skills, proprioceptive-kinesthetic awareness & handedness.  There is a development moment for teaching handwriting (that includes writing the name, tracing letters, etc).    I am concerned about the current trends.



      December 13, 2010

      Another Peek into a Kindergarten in Switzerland


       The sheer hanging drape was painted by the children and then used as a room divider.  The teacher told me she purchased the drape from IKEA.


      I love how they used so much wood and natural tones.  You do not see a lot of plastic!


      Now this is a market!  Look at all the details and items in this center!




      A large circus style top hung over the whole group area.

      The yearlong theme in this kindergarten was "buildings."  These are paintings the children created.  Below the paintings you can see their reflective strips that they wear to walk to school.  


      A helper chart with visual images.  The children's names are on clothes pins.


      This is their Birthday House.  On meet the teacher night, each child decorated a "window" (notice the one window that is not open yet).   On their birthday, the window is opened.  I love this idea!

      For more information about Switzerland's early childhood education, here is an article: Teaching and learning in early childhood in German-speaking Switzerland

      December 12, 2010

      Make an Elf Hat and get a Free E-Book of "The Elves and the Shoemaker"


      Look at these cute elf hats!  Cindy Williams and her gang at Philbrook Art Museum came up with this great craft activity for Second Saturday.  I am so taking this idea to my classroom this week!



      I took a photo of the instructions!  Use a large piece of construction paper (12x18).

       Decorate and embellish!



      Don't forget the ears!

      RESOURCES FOR THE STORY:

      I found a free e-book this wonderful tale and it is one of my favorite illustrated versions!  Check out this website:


      The Elves and the Shoemaker E-Book CLICK HERE!


      Website for free e-book of "The Elves and the Shoemaker"


      Thanks to Eileen at the Little Acorn Learning Blog, you can read the Brothers Grimm's version.  It is the original tale.

      For a free audio recording of the story - pop over to Storynory!

      Here is an adorable youth production by the Mason Youth Theater of this story.  I love to have my class act out the stories!

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